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Fountain

by Matthew Dickman

And then I drank my coffee and then I drank my milk
and I was wearing the gray scarf you wore when you were naked
and the snow had been falling
into the backyard like some eldritch special effect
that stunned and moved the person watching it with his eyes
wide open and his mouth forming that human
vowel: Oh
Oh look how beautiful it is! You feel all firesides and pine trees,
majestic in your flannel pajamas. There is something
deeply spiritual about coffee and milk
and you wearing nothing but a scarf. And there is something
equally divine about sitting in the backseats of yellow cabs, the window
rolled down half an inch
so that the lights from the bridge can come in easily and rest
on your shoulders or lie like a dog in your lap, his breathing,
an electric current that hovers like a hand before it strikes. And then
I washed the dishes. And then I fried an egg
and I was listening to the song you love with the violins and saw
which could haunt a house forever. The saw being bent
at just the right angle between the knees
of the musician and the sound rising between them
like an animal, his head buried between two paws which are clipped
so the thing can’t tear apart the zoo keeper
in its fits of sorrow and bellowing pain. There is something awful
about how we walk past him eating
our popcorn and hotdogs, pointing at the baboons
and laughing because they’re almost sexual and the rainbow beauty
of their rear ends make us self-conscious. And then
I was walking alone with god and then I was walking alone
with no one so I could think about the movie
I had gone to see, where I sat alone and cried for the girl who had been
missing since March, eating red licorice
and staring up at the screen where two men were robbing a bank
while the third sat in a car outside, listening
to the radio, his left hand spinning a quarter
between his fingers like a turnstile. And then I walked down Burnside
and then I crossed the bridge. I threw a penny
over the side because my wish
was too big, too impossible for a fountain to bear. And then I walked
home where you were putting on your clothes,
where you were drinking coffee and making plans and picking out a bra.

{ 7 comments… read them below or add one }

Amanda August 4, 2009 at 4:06 pm

I love everything he writes.

Janet August 19, 2009 at 7:25 am

The pages are weirdly overlayed so the first few letters of each line are missing, making it tough to read.

All the poems online here are the contests judged are from people strongly affiliated. Laux, Jackson, Dickman, etc. It makes one suspicious. Where is the diversity?

Steven Pickrell September 22, 2009 at 3:22 pm

I really liked this poem because you had to reread the lines most of the time just to make sure you got it right. It seems to all tie in with one another; therefore, painting a very chaotic, yet beautiful image in your head. Plus, I agree there is something spiritual about coffee and milk. Ah yes, I can’t forget the coup de gras of how it all just comes back to the beginning like many of the things we do.

Lucas November 18, 2009 at 3:48 pm

man, i wish EVERY POEM featured the most culturally banal aspects of the domestic self instead of being meaningful or doing something interesting with language. This poem is really a relief in that respect. Plus, let’s face it, women have become obsessive about being clothed from the waist up.

Jennifer Buckhana December 1, 2009 at 8:08 pm

I love this, I keep re-reading it

Sheila December 1, 2009 at 9:19 pm

I love the energy, the sense of urgency inherent in the long sentences, the contradictions — you naked but for the gray scarf and, then you in your flannel pajamas wearing nothing but a gray scarf. The poem is playful and elusive as the light coming in the taxi window and yet awful and compassionate as walking by things that are crying, and I’m not quite sure whether they are the many wonderful animals the poet has included in the poem or the musician or the saw he plays or the zookeeper. Nothing in this poem takes me where I, as a reader, expected to go, and it’s such a wonderful journey getting there.

gladys goldberg December 2, 2009 at 3:41 pm

Matthew Dickman teases, challenges, wanders as
the mind does – yet he’s unafraid to wait until the
language drives him on. He’s so reachable that you
can touch the red licorice he eats or feel the urge to
throw the penny off the bridge. Dickman’s unpoetic
and his now&then is riveting.

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