Two Poems

Michael David Madonick

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River Otters

for Ms. Kelly

My wife does not believe me, in fact
she has started to mock me, to register

in her discourse and demeanor a kind of
flippant disregard for my sincerity. I suppose

if I were Darwin just back from the Galapagos,
or Audubon with dripping carcasses of spoon

bills and egrets, she’d offer me some credence.
But as it is, here in the sad flatlands, where the last

evidence of wilderness was a misguided ground
squirrel that inadvertently nested high in our sugar maple,

she cannot concede to my numerous sightings
of otters. I’ve told her, that I’ve spotted them

by the drainage ditch, crossing the culvert, that
they’re as big as German Shepherds, sleek as seals,

hunch-backed and quick. She wants to know
if they talk, if they speak some Midwestern tongue,

if I’ve given them golf lessons, taken them to La Fiesta
the Mexican restaurant I’m so clearly fond of, and

when I’m late to get home, if a whole caravan of river
otters set the rail crossing to flash and barricade the road.

I’m thinking, even Isabella only denied Columbus for a year.
But at this point, there’s no convincing her– and even though

I know the world is round, there’s no harm in letting it be
flat. It’s not unlike my love for her, she can’t see it the way

I do, how it plays in the waters and out, in every natural and
unnatural vision I embrace.

Jungle

Clouds mitigate the sun. In this
there is no defense. One can stipulate

that clear summer days are often unreasonably
intruded upon by vaporous encumbrances.

And that finally, is just another way
of saying the same thing. All of it

provokes challenge, update, a valid
interruption of what one sees. The leopard,

for instance, lounging on the limb
can only account for the weapon of himself, his dangling legs,

the inventory of claw and tooth. He has no knives.
He is the lance of himself–that which he throws

at the zebra and the wildebeest. No lawyers
concocting mediation. Nature does not

encourage the tête-à-tête. Form is a matter
for a judge, critics to make their case for.

In the mean-
time, no matter what, no one wants to go

hungry.

 

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Michael David Madonick attended Rollins College in Winter Park, Florida, where he received a BA in English and an MBA. After several years in real estate development in New York, he returned to school and received his MFA from the University of Oregon. His awards include the Academy of American Poet’s Prize, the New Jersey Council on the Arts “Distinguished Artist” Award, an Illinois Arts Council Grant and an Illinois Arts Council Literary Award. For more than twenty years he has been teaching creative writing at the University of Illinois in Champaign-Urbana. He is currently the poetry editor of Ninth Letter.

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Published
Categorized as Poetry

By Miciah Bay Gault

Miciah Bay Gault is the editor of Hunger Mountain at Vermont College of Fine Arts. She's also a writer, and her fiction and essays have appeared in Tin House, The Sun Magazine, The Southern Review, and other fine journals. She lives in Montpelier, Vermont with her husband and children.